Date: Tuesday
19th and Wednesday 20th October 2010 |
Time: 9.30 am to 4.30 pm |
Place: 700 James Lane Trentham East Victoria |
Cost: $550.00 All materials supplied - includes lunch, morning and afternoon tea |
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NB:
Classes limited to 6
ABOUT THE WORKSHOP
This 2-day class is suitable both for newcomers to toning silver gelatin prints and established print workers. A knowledge of chemistry is not required.
The workshop is all in daylight/room light conditions and students will need to bring a good supply of ready-made untoned prints for toning. These can be trial work prints for experimentation &/or finished prints for final toning.
The workshop will explore toners that are used either for their archival protective properties or for their aesthetic effects, or both.
A variety of toners with very different properties will be used, including selenium, gold, sepia, iron and copper toners, both singly and for multiple toning effects.
Students will be given detailed instructions to enable them to come fully prepared and will be supported with notes and handouts throughout the course.
By the end of the workshop students should acquire a good working knowledge of different groups of toners and how and when to use them and for what purposes.
The emphasis of these workshops will be on informality, co-operation and fun, and stressing the learning value of ‘playtime’, safe individual risk-taking and group sharing.
No photographers will be harmed in the making of this workshop
ABOUT TIM RUDMAN
Tim is well known internationally as a photographer, printer and authority on darkroom printing techniques, and notably for his pioneering work in the beautiful process of Lith Printing. He is a regular writer and lecturer and has conducted workshops on printing and toning techniques in Britain, Ireland, Spain, Australia, Canada and America.
As well as publishing several hundred articles on photography and printing, Tim has authored four critically acclaimed books on darkroom printing skills. The first, 'The Photographer’s Master Printing Course', was an instant best seller. This was followed by 'The Master Photographer’s Lith Printing Course', 'The Photographer’s Toning Book-A Definitive Guide' and 'The World of Lith Printing'. More about Tim
TO ENROL
Full cost $550.00 A deposit of $150.00 is required with enrolment form to confirm your booking – the balance of $400.00 four weeks before the workshop. You may use credit card (Visa or Master) cheques or direct credit.
WHAT TO BRING
- A good supply of ready-made untoned prints for toning. These can be trial work prints for experimentation &/or finished prints for final toning.
- All other materials (and lunch etc) are supplied – wear darkroom clothes & comfortable shoes.
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