SALT & ALBUMEN PRINTING: the two processes are closely aliened not only in the history of photography but in the practice of creating these two most beautiful processes. ABOUT THE SALT PRINT: This is a simple process with a number of challenges to master. Salt prints are created by coating paper in a solution of (more…)
ABOUT CARBON PRINTING The carbon printing process uses colour pigments producing one of the the most permanent coloured photographs. The use of pigment allows any colour photograph on almost any surface. The beautiful tonal scale resolves fine detail. It relies upon the ability of sensitized gelatin when exposed to U V light becoming insoluble in (more…)
ABOUT GUM BICHROMATE Gum Bichromate process allows colour printing from black & white contact negatives in numerous colours. Paper is coated with pigment, dichromate and gum Arabic, registered, exposed to ultraviolet light. Exposure to light hardens the gum Arabic proportionate to the varying density of the negative.The print is then placed in a bath of (more…)
ABOUT LITH PRINTING Lith Prints are usually warm-toned prints with a unique combination of subtle low contrast properties in the highlights, warm mid-tones, and high contrast colder tones in the shadows. It is an extremely flexible process and many variations may be found from highly graphic to soft ethereal effects. Lith prints tone well in selenium (more…)
ABOUT LIQUID EMULSION This unique photographic printing process allows the artist the flexibility to hand coat silver gelatin emulsion on to a wide selection of surfaces including watercolour papers, timber, metals, fabric and glass. ABOUT THE WORKSHOP The day will cover the following: Preparation of the Liquid Emulsion Surface selection & preparation Coating techniques & applications (more…)
PRINTING PHOTOGRAPHS ON FABRIC The workshop allows you to create photographs on natural fibres, cotton, linen and silk with a surprising clarity. It provides the following advantages over paper: Movement – especially silks Can be stretched onto a frame Wearable – cyanotype can (more…)
ABOUT PLATINIUM AND PALLADIUM PRINTING: Printing in platinum and palladium is acknowledged as the summit of alternative processes – images formed in totally permanent ‘noble’ metal, exquisitely graduated in tones of neutral grey or warm sepia, with a beguiling luminosity in the high values. This modernized version provides a (more…)
SALT & ALBUMEN PRINTING: the two processes are closely aliened not only in the history of photography but in the practice of creating these two most beautiful processes. ABOUT THE SALT PRINT: This is a simple process with a number of challenges to master. Salt prints are created by coating paper in a solution of (more…)
OIL PRINTING & BROMOILS The oil print and bromoil processes create soft images reminiscent of painting but retains a distinctively photographic look. The painterly qualities of the prints continue to appeal to artists and have recently led some contemporary art photographers to take up these processes again. The workshop is combing the two processes as (more…)
ABOUT THE OPALOTYPE PROCESS Opalotypes were printed on sheets of opal white glass; traditional were sometimes hand-tinted with colors to enhance their effect. The basic opalotype technique, involving wet collodion, silver gelatin and to a lesser degree carbon. The Process was patented in 1857 by Glover and Bold ofLiverpool. Opalotypes are created by the carbon (more…)
